My head is whirling with all the controversy surrounding director Darren Aronofsky’s NOAH. There are two rather distinct piles of articles about the movie, pro and con; or, as the movie What About Bob would say, “there’s the people who like Neil Diamond and the people who don’t.”
NOAH’s director/screenwriter has, pun intended, brought out the beast in pastors and their flocks. Even the atheists want some floor time with this one. Try as you will, a two-hour movie just can’t be created from a few pages of the BIBLE.
Maybe the discussion should be whether religious films should just be banned altogether. Let’s just get this over with right now. After all, weeks ago SON OF GOD was on the chopping block. And who could ever forget reading hateful accounts of PASSION OF THE CHRIST director, Mel Gibson. And, if that wasn’t enough, his father—yes, his father for Pete’s sake was dragged into the slugfest.
“Literal fundamentalists will blow a gasket,” my friend Michelle Rifenberg offered, “but anyone who understands the role of allegory in scripture shouldn’t hate it. It’s a good film for post movie discussion over wine.”
I love all of it—especially Michelle’s idea for discussion.
Enter the Rock People. Noah (Russell Crowe) needs help to build the arc in time for the anticipated rain. Rock People help him build and protect him from the bad guys. Aronofsky may have overstepped here for some critics; but I liked the ginormous fallen angel creatures. What a creative way to show both their punishment and presence in the world before the flood.
“The rock people that sent one columnist over the cliff,” Michelle believes, “is an earthen way to represent how the inherent goodness that comes from being made in the image and likeness of God becomes hardened and incased in worldliness because of the fall. The serpent and the picked apple appear repeatedly on the screen. In fact one of the rock people flat out explains the metaphor. “
Noah has really gone out on a limb to build an arc on barren land. His wife (Jennifer Connelly) assists unquestioning until he raises a knife to their newborn granddaughters. No spoiler here—just to say that scene was reminiscent of Old Testament Abraham with his son on the altar.
Special effects used to deliver the animals to the arc are remarkable. (No live animals in the film.) As an action, suspense movie, it was nothing short of extraordinary.
Characters in the film acknowledge they are made in the image of their Creator. The good guys want to please and the bad guys want to be the Creator’s equal. Therein lies the basis of war—then and now.